A letter from Ko Murobushi
Today I want to talk a lot of …All of my speaking are
Are just like our walking, moving, shifting. It’s a step for opening out to the next. Our production, of course, in the Next−Next has no ending- Next is unfinished! So, Children’s crusade will become <a process> by the next.
Life is slow, too slow for me.
We need sometimes to walk slowly, more than life. But I think that our bodies, our emotions, our cells, our anti-body, our crepuscule….
In a word, our body is standing against our own sickness, it is keeping on a fight during our sleep. So, we talk during sleeping (Maggggggmajalalela), because we make snoking like breaking whiste and of course, we break wind in our sleep! Our bodies has another <mother> language no cultures in that extreme fights. For example, we can name four sounds of winds by cultural words. Only our conscious can name and can sleep well with cultures. I’m in Munich and in a same time, at the same place I appear in another time, another place, nameless spaces. And of course already I’m preparing to become a leper!
Present and Next. They have differences, but they are touching each other at their heels. I’m in the middle and also I’m edges in the splits.
Schizogenesis! Ephemeral! Transit!
I Talk very quickly. I should talk more quicker than words.
To forget, to disappear from my culture.
To remember, to appear into my culture.
I should shift, I should bound…
It’s stupid if I remain in one side with my mother language, in the words in community.
I should break my cultural body to talk.
Now, the most beautiful way is a <bi> is a bilingual, is a binary stars, like us!!
We are always speaking in a bilabial, we are always moving in a bilateral.
Important thing, there is some Ethic!
Ko is Ko and he is not Ko.
He is a Butoh dancer and he forgets it in a same way he is Japanese and he is a foreigner for Japanese.
This split is not only in Two, in you & me!
To feel, to speak in plural, innumerable directions. With sensitive and wild bodies.
With accidents, by chances.
We will dance and talk <Another Kiss> and always keep on asking
With <four foot>
Where is now/here?