Faux Pas, Enthusiastic Dance on the Grave, DEAD1, Research Class—Les Innombrables Nijinski, Workshop

2014

Info

日時
2014/7/21-25 Workshop 7/28,30 choreograph 7/31-8/10 research clas 8/15,16,17 solo
活動内容
Workshop, Research Class, Choreography, Solo Performance
開催地
Wien
開催国
Austria
会場名
Arsenal, Akademie Theater, Odeon
主催
ImPulsTanz
開催事業名
ImPulsTanz Vienna International Dance Festival
出演
[Enthusiastic Dance on the Grave](Chor.) Ko Murobushi (Dancer) Teita Iwabuchi, Arihiro Yamada, Yo Nakamura, Naho Hori, Tomoko Fujiyoshi[Dead1](Chor.) Ko Murobuhi,(Dance) lejandro Radino, Maximo Castro, Jprge Bernal

Description

Les Innombrables Nijinski (Research class)

if you want to dance: “Nijinski”
if you want to dance: “Midnight”
and if you want to dance: “the body of Zero degree”….

What is the pure experience of the <outside>?
Is it possible to dance the < outside>?
< Outside>, means outside of all dance techniques and thus the first experience of something new.

“The attraction is for Blanchot undoubtedly what for Sade is desire, for Nietzsche the power, for Artaud the materiality of thought, for Bataille the transgression: the pure, mere experience of the outside.” (Foucault, La pensée du dehors)

My body is no longer just one, but innumerable. In the Midnight, at the moment of Zero O’Clock, numerous embracing and composite bodies, will conceive innumerable Nijinskys!

Why do I still deal with Nijinsky and Mallarmé in the 21st century? In fact, my dance career started with Nijinsky’s Faun in Japan.
I am also very attached to the poem “Minuit” of Mallarmé … I see some similarities with the “Midnight Song” by Nietzsche in it. But I put my thoughts behind. I detach myself from my own intention and while detaching I find myself confronted with plural dancers’ bodies – directly.
The direct contact with bodies is the key to “Minuit”.
Ko Murobushi
(ImPulsTanz 2014 for research class)

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