Part 1

Symposium

Ko Murobushi and « féroce désœuvrement » Vol.2 Toward “Nijinski à minuit”

Roundtable 01

Session– August 24, 2021

Hidenaga Otori & Chiaki Hori & Kuniichi Uno

Hidenaga Otori

Born in 1948 in Shizuoka. Theatre critic and researcher. Graduated from Tokyo Institute of Technology’s School of Engineering with a Master’s degree from the University of Tokyo’s Faculty of Letters. Committee member at Walker Art Center (Minneapolis), artistic director for Laocoon Festival (Kampnagel, Hamburg), and associate director at the Kyoto Performing Arts Center at Kyoto University of the Arts. Written works include The 20th Century Polyphonic Art Theater (The Asahi Shimbun) and co-authoring Reverberation Machines: The World of Richard Foreman (Keiso Shobo). Translator of Tadeusz Kantor’s Let the Artists Die (Sakuhinsha) among other works. Currently working on “Hidenaga Otori’s Monkey Drama Theory for Provocation and Brainwashing.”

Chiaki Hori

Scholar of French literature. Co-author of Deleuze, keywords 89, co-editor of Deleuze, mille littératures (Serica Syobo), and translator of Guillaume Sibertin-Blanc’s Politique et État chez Deleuze et Guattari (Shoshi Shinsui) and David Lapoujade’s Deleuze, les mouvements aberrants (Kawade Shobo) among other works.

Kuniichi Uno

He was born in Matsue city in 1948. He is a French literary critic and the former professor at Rikkyo University’s Department of Image and Body Science. He continues to write essays focusing on body theory and body philosophy. He is the author of Artaud: Thought and Body (Hakusuisha), Theory of Body Image (Misuzu Shobo), Political Reflection (Seidosha)、and translated F. Guattari’s Anti-Oedipus, A. Artaud’s Pour en finir avec le jugement de Dieu (Kawade Bunko), G. Deleuze’s Foucault, Le Pli, S. Beckett’s Molloy, Malone Meurt, L’Innommable (Kawade Shobo Shinsha), and more.